
Into The Wilderness
September 2022
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October 2022 Untitled
October 2022
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This Is Not A Pipe
October 2022
This would be The Facsimile of an Analog piece meant for a Gallery Wall where it might generate some surprise and delight AND illumination, OR not.
It is in the re-Twitter sphere. That is, an original intention of a non-original Visual is construed and misconstrued much like children playing "telephone". What emerges at the end of the chain is not what was first presented.
This is an obvious False Narrative using the social medium platform, Facebook as A Factory. What should be produced is a Neo-Painting/ School of The Absurd. Obviously certain people will decide this cannot be "a painting" because there is No Paint. Once on A WALL, however, adjacent to actual Paintings, it could actualize ""Its Pretense". On Facebook it is just a piece of Junk.
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I have always maintained PAINTING is or should be an intuitive medium. In effect it is finding/ comprehending itself as it moves along/ progresses.
If I am getting "Hip To Myself", (understanding my exploration) I might deduce Conclusions, or as they say in Science: TRUTH, until something better comes along.
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I think Painting {In The Real World} is more Myth and Money/ Bitcoin than an actual aesthetic creation,
That is what this last piece seems to state. No Secret, that, but the presentation I find novel, until it is not.
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These other pieces seem to be Non-Place Landscapes, more idea than place. The Analog and The Digital, apprehensive I suppose.

Ptah Em Uya @ Lot 49
November 2022
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This piece was so intuitive, so groping, I almost must rush back to the Preconceived for sanctuary. By preconceived, I would mean,
simple idea alighted on, then rendered as if, "a painting". I should (should I?) throttle back from "association" upon "association", image upon image as Brush Strokes; chewing up the wallpaper with silly directive "ART" as in barf.
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"They" said Action Jackson would retreat eventually, good place now, I think, as I am nothing to you as you are nothing to me. Set aside The Medium Cool Territory and let you do your 1000 bottles of Wine on The Wall you so richly deserve.
By existential, it is meant all the broken crockery, the poison piles, the erasures, are still evident. Nothing and Everything to be done about it.
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This Donald Trump Era, of Lies, sanctimonious reinforced Lies, double-downed LIes, amplified, reiterated, multiplied, broadcasted and narrow-casted Is an Atmosphere. Coupled with International Authoritarian Rumblings, Superpower Face-Offs, The (Existential) Environmental Issue(s) and lingering Pandemic Flavor one can't not have The Willies, traumatizing dread.
This was an exercise in Looking, Contemplating and Coping. AND my personal quest to do the same to PAINTING; no longer my solace and desire, more like a thing I need To GROW and THROTTLE. In Times Of Change, One can be aware of Disquietude but the rest is vaguely "Not Correct"/ are the missiles incoming or are they not incoming?
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Educated Painters are meant to be conscious of The Flat vs. The Artificiality of Space (on the flat surface). The above, jettisons Flat This/ Flat That for TIME. If you will (and you needn't) this "landscape" has No Ground, No Grounding, it is all on fire. The Burning Pan/ The Smoking Footwear/ The Kindled Foliage/ The Lava Boots (If I do say so, some suspension of disbelief is required but Your Blind Eye is good enough; Zero is Absolute Perfection). It is only MY "Full Conflagration" and MY "Neo-Ash Present".
Tuesday November 8th
Maybe The Tide only seems MAD RED and Parody can survive Targeting...
DUMP the Rump(!) or WE TAKE FLIGHT and be dead 3200 years. Shoulda/ Coulda / Woulda
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Melancholia & A Little Bird/ Redux
February 2023
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The Raphael Soyer Memorial Studio, Fontana USA
December 2022
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I Remember Painting
December 2022
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I Remember Painting
December 2022
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Mr. Banksy, prophet of Subway Walls & Tenement Halls, wearing his Mysterioso Cape shows up at The Office to address the Subject: Surveillance. He completes his task and retires from the scene. However, before The Capitalistos from The Banksy Collector Agency can show up and liberate important concrete from the mere, his vandalism is desecrated by Taggers, an omnipresent lifeform seemingly everywhere.
Our choices now would be to convince Mr. B to repeat his operation bereft of subterfuge or contact The Tate Restoration Department to mend.
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OR, we can just Remember Fondly.
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I, of course appropriated all evidence of this incident from The Great Collective Mind and am only Cutting & Pasting back to you, supplying only a wreath in Memoriam. Unfortunately, I cannot quite recall this artwork I have neither seen in actuality nor even in facsimile. All that does not prevent me from conjuring/ remembering, albeit a flawed process. Really, unless I straight-armed a Cell Phone User from their command position before a given Masterpiece
these things only exist in My Dreams. I would like to mount the northern pole of The (bobbling) Reality Orb but cannot.
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So, do YOU, inquiring art expert, recall "Painting", now suddenly, unexpectedly, subversively, miraculously, recast as A Verb and not a precedent Institution? Fifth Grade?/ Or Only In "your dreams"? Seems I can't; seems to be an activity of Doing (or dreaming) that generates familiarity.
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I think I have borrowed an image of the late Chuck Close, avidly working, from The Great internet, but not positive.
It is written Mr. Close had difficulty finding remembrance when confronting A Face; thus he painted and painted such. We are confronted with the #MeToo task of determining whether Mr. Close was "a painter" or "a scoundrel" but we'll leave that for another day. In "our" presentation Chuck's articulating right hand is opposed by another, bearing An Eraser* (* See Sistine for reference)/ That is only Painting fighting back, not necessarily Mr. Close's artistic fate. More on point, Painting requires a riveted ocular attention with a simultaneous knowledge of the painting's All-Over And the artist's "position" in Time & Space.
In conclusion, it is your prerogative to decide who, Mr. Banksy, Mr. Close, yourself or me, best Remembers Painting.
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Whew! "Box Of Rain" or Balderdash? Such a lot of bother and obsession over almost nothing! I hate Minimalism AND DADA too! He must think he is Coca-Cola!!
Post Note:
After publishing on my website, Microsoft's Bing A.I. did inform me that Red & Green, with cursive text and a pictorial wreath, published at the tail end of December was indeed a Christmas Card, almost identical and generally indistinguishable from thousands of others.
We thank you for your kind reciprocating Holiday Salutations.

GRAVY/ Yes!, We Have No Potatoes
December 2022
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The Audience
December 2022
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Dab Warden/
Master Of The Universe
January 2023
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Madonna & Mice ## Hash
January 2023
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Digital Art, Betwixt/ M. Leon/ abk
February 2023
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In Between/ Maria Leon, Black Ceramic
2022

Trepidation Crossing
February 2023
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First they must paint everything purple, then they can eat you.

The Naiads/ after a Sculpture by Maria Leon
February 2023
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An enterprising art model, probably inspired by Waterhouse and The Pre-Raphaelites came with props to Maria's classroom and inspired Maria some twenty years ago. 2023 and that show goes on, minimally.
Flasher at Hot Corner, Chirico, CA
March 2023
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Moany
March 2023
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Moany left her father's home at 14 years of age. She had many adventures and highlights, both good and bad. She is in relatively good health for a 500 year old woman.
She has had intercourse with millions and has inspired many thousands of imitations including this one. She looks forward to seeing you on your smart phone.

Yard Arrangement
July 2023
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Don't You Cry For Me/ Confabulation
July 2023
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Crowdy and 74 in New York
July 2023
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Atelier Jolie
September 2023
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All a Twitter
September 2023
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Gravitas
November 2023
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The Mario Rueda Traveling Palette
December 2023
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